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Two models overlooking water in Palermo wearing bathing suits, both of red, one plaid one checkered with shaggy elfin caps, 1955Model in Otter Hide Coat with Snow Leopard Lining, 1959Woman modeling black lace dress with pink sash copied from Balenciaga, with hat and gloves, 1951Model posed with cigarette, wearing dress by Mollie Parnis and gold & diamond necklace and bracelet by Chanel Store Van Cleef & Arpels, 1953Model wearing a strapless short evening dress: fitted to the hips in a lemon color with lace, baby blue bow, baby blue satin shoes and grey black pancake hat, 1953Model wearing a grey tweed sheath dress, a short jacket with turtleneck gilet, and a grey folded stole, all from the Paris collection of Dior.Model Wearing Silk Crepe Evening Dress by Christian Diorca. 1955, Palermo, Sicily, Italy -Model standing on terrace wearing sharkskin straight yellow skirt with striped jersey shirt over sleeveless orange overcoat.Model wearing Manguin’s white satin gown, mink stole, and pearls, 1951Model in White Chignon Cap by Givenchy, 1954Model facing car in Paris wearing greeny yellow coat with dropped shoulders and a spread of burnoose-like sleeves by Griffe, 1951Gilbert Orcel, 1956Model in Box Hat and Long Gloves, 1955Ruby and Pearls, 1955For one of his last collections (he died the next year), Christian Dior made even less concessions to fifties’ Coc Chanel austerity with this flamboyant evening dress of patterned silk taffeta. Though our subject looks utterly at ease with the deshabillé shoulders and the early evening glass of wine the sheer weight of the ruby and pearl bracelets vivid necklace of precious tones would have posed certain practical problems.Model Wearing Double-Breasted Suit by Balmain, 1954Model in gold embroidered turquoise Lanvin-Castillo dress in the Theater of King Louis XV at Versailles.Balcony at the Theater of King Louis XV at Versailles with model in chiffon dress and chinchilla cape by Lanvin-Castillo.Model in front of London store window, wearing tweed sheath coat dress and hat, both by Dior, 1955Model in collarless suit with straight skirt and Persian lamb scarf, both by Balenciaga, leaning against railing, 1955Model Wearing Givenchy Halter Dress and Long Gloves, 1955Model standing in front of lame backdrop chanel handbags usa , wearing tulle and gold embroidered trapeze dress form Dior, 1958Model Mary Jane Russell wearing fox fur coat by Fromm, posed next to a red chair by Karl Mann and Associate, 1958Model in Christian Dior Accessories Smoking, 1952Model wearing hat of feathers, worked to look like silk, in a pale orange, by Adolfo of Emme.
Worn with brown wool tweed coat, pinned with Verdura brooch, 1959Model in Twill Suit by Chanel Bags 2012 Givenchy, 1954Model in Schiaparelli Floral Dress, 1954: Suzy Parker wearing billowy bow-tied coat by Pertegaz in front of tiled scenery at the restaurant Villa-Rosa in Madrid, 1954Model wearing strapless tiered dress with roses by Chanel, 1954Model Playing Bridge in Crepe Dress, 1952Boaters, March 1954The Spring Collections featured ‘boater’ hats in all shapes and sizes, lightweight and elegant for alfresco eating (though only British Vogue’s most soignée readers would have tackled a bistro chair with such confidence). Balmain’s colossal boater came with wheeled rings like a child’s spinning top and was worn as low as the eyebrows.Christmas Presents, December 1953Whatever the money spent on it, a Christmas present has to be the most beautiful, the most chanel usa original or at least the most colourful, considered Vogue. Some, though, like this fabulous diamond necklace by Wartski are dependent on ‘fairy godfathers, oil wells or sheer size of bank balance’. It has certainly entranced its recipient, the more so perhaps when converted cleverly into a tiara.<!–adman–>Designer Marie-Helene Arnaud in Suit by Chanel, 1959Red rhinestone-studded high heeled opera pumps from Jordan, 1953Coco Chanel Designing Clothing, 1954Model Wearing Hat by Givenchy, 1954Model in front of Mercedes, wearing tweed dress, matching coat with fur collar, fur hat, and gloves (all by Patou), holding handbag, with L’Arc de Triomphe in background, 1955Gloved model holding a cigarette, wearing a vented, red plaid steamer coat that reveals a long dress of silver and white paillettes; with diamond chanel bag necklace, earrings and bracelet; being escorted by a gentleman in tuxedo across the Promenade at the New York theatre. Dress and coat by Ben Reig. Jewelry by Harry Winston, 1958Model in Tiered Tulle Gown by Balmain,
1954Signorina Ilaria Occhini, actress, hands on chest, wearing long earrings and a dark cape, 1953Model Wearing Silk Dress by Christian DiorModel Wearing Balenciaga Dress with Double-Breasted Skirt, 1955Model in Yellow Suit on Chanel Classic Wallet Striped Chair, 1958Model wearing Dior evening hat with white feather, 1951Playclothes of the Western World, May 1962The clothes may come from places as far apart as Spain or Finland (and they do). As to where they might go: there are no limits. Not in the age of jet travel. Their stamping ground is the Mediterranean (this is the Spanish coast) but you might see them anywhere from Brighton beach to Havana.Cottons on Holiday: Pretty Sun-Seekers, July 1956For those possessed of ‘More Taste than Money’, as Vogue discreetly put it, summer glamour could be found inexpensively. Here, for example, perfect for sun worshipping, is a long-sleeved polka-dot cotton shirt and matching bloomers with, as a pièce de resistance, a cummerbund in a contrasting pattern, cinching the outfit at the waist.Summer Pleasures for Sunny Days, June 1960Entertaining is often a high point of the summer, though not every reader might have the time or inclination to dress herself and her lunch table with such elegant ease. This season’s bare arms made a larger hat almost an imperative (a small hat made one look ‘like a chanel bags 2012’).